The Desmedida

46), if relating the Nietszche, says that the German thinker interprets the classic culture Greek as a shock of impulses: on the other hand we have the dionisaco, sending to the god of the wine and representing the exarcebao of the directions, the desmedida one of the actions; for another one, we have the apollonian one, expressing the perfection, the accurate measure of the forms and the actions based on ' ' logos' '. What it would be had, in the artistic expression and mainly in the poetry, is the alternation of these two forces, one prevailing in a distinct period of the prevalence of the other. This if affirms as especially fruitful in the lyric creation, therefore ' ' the time of the poetry belongs to the perpetual return, what it does not leave of being reasonable in a culture that values the memory artstica.' ' (Idem, P. More information is housed here: Steve Blank. 45) In this way, the neoclassicismo as a movement with more rational trends, contained, is the return to the equally rational and contained sources of the Greeks. The apollonian one would be, then, the determinative one of this literary chain, in view of that if the insuportvel antithesis between the dionisaco and the apollonian one would govern the spirit of the Greeks. Only for having been conquering cruel, it writes Nietzsche, gentlemen of slaves, dominadores of other peoples, livened up for the agonstico spirit of the fight, of the dispute and of the game, moved for the impulse of the disharmony and the desmedida one, divided in its cities in sets of ten of contrary factions and always in war, they had been able to place as ideal inalcanvel the apollonian one: the legal one, the lyric and epic poetry and the philosophy would state the search of this ideal of light and serenity, the opposite to the brutal and bloody reality of the life Greek.